An overnight sensation more than 100 years in the making, af Klint stunned viewers with monumental, brightly colored abstractions created years before Vasily Kandinsky and Piet Mondrian pivoted away from figuration, forcing critics to re-assess the history of the early 20th century avant-garde.
Art Galleries & Museums
The portrait was commissioned by Rockeymoore Cummings, his widow, in March 2021 and painted by Jerrell Gibbs, a Baltimore-based artist known for his portraits of African Americans. Gibbs was selected from a shortlist of three Baltimore-based artists that included Monica Ikegwu and Ernest Shaw.
“A Holbein portrait is a very precise object,” says curator Anne Wollett. “It’s telling that when it comes to identity and the process of finding the right elements to include in the portrait some items were really significant. And I don't think this was a common process amongst other artists in the period.”
Robert Doisneau, born in 1912 in Gentilly, became an amateur photographer at the age of sixteen. Throughout life, he was able to create and record a world full of wonder and possibilities, a state of being that is usually lost in adulthood. His work is on view at Palazzo Roverella in Rovigo.
Artist Winfred Rembert carved leather the way a master carver would shape wood or stone. He learned to do so in prison, where he survived a near lynching, a jail sentence that included time on a Georgia chain gang, and the everyday violence and racism of life in the Jim Crow South.
Like politics, all art is local until it isn’t anymore, a point driven home by Surrealism Beyond Borders, the Met’s tour d’horizon of the global, half-century-long spread of Surrealism from its birthplace in 1920s Paris. The City of Lights wasn’t technically Surrealism’s cradle, however.
The largest, most prevalent treasures of the Denver Art Museum are the DAM’s buildings designed by renowned architects: Gio Ponti and Daniel Libeskind. Ponti’s tile-covered high-rise with unusually placed and shaped windows brings to mind a castle. Libeskind’s titanium-clad triangulations evoke gargantuan origami.
By layering Bo Bardi’s own words with images of her buildings and artist interacting with them, Julien creates a non-linear biography, one that eschews straight facts in favor of feeling, allowing us to experience her creations and life viscerally rather than academically.
In a perfectly paired yin-yang juxtaposition of exhibitions, two artists—Ana María Hernando and Yoshitomo Saito—show works inspired by nature, yet rendered in extremely different media. Coincidentally, both attended the California College of Arts and Crafts in Oakland, CA. The creative energy evident in these exhibitions is nonconformist, particularly in the artists’ use of media.
Davie’s works are at once anxiety-producing, witty, and enigmatic. She takes us both inside and outside the body, through wild dancing lines, swirling movements, and smashed-up forms; pushing upward and outward and roundabout. There’s a unity to it all—mind, body, landscape—tightly bound, keeping the viewer in tow.
