A spacetime grid is a visual diagram in physics to grasp a four-dimensional reality—three dimensions of space and one of time.
Art News
In November, the Grand Egyptian Museum (GEM) opened its doors to international fanfare, unveiling the entire contents of Tutankhamen’s tomb, together for the first time since their excavation in 1922. The sprawling 5.4-million-square-foot complex near the Great Pyramids of Giza represents more than two decades of planning and an immense investment in Egypt’s infrastructure.
Upon reopening this April, The Frick Collection in New York will welcome visitors to climb its grand staircase—or ride one of its newly-installed elevators—to the second floor for the first time in the museum’s history.
PFA is pleased to announce Dorothy Fratt: Explorations in Color, an exhibition focused on works on paper mounted on canvas produced by the artist throughout her career. Grounded in her signature flair for spatial complexity and bold color pairings, these works highlight the breadth of her experimental rigor on an intimate scale.
When the new National Museum of Art, Architecture, and Design opened in Oslo in 2022, its ambition was to challenge rigid boundaries between creative disciplines.
The last few months have seen a flurry of gallery space relocations and consolidations as owners seek more affordable locations to reduce overhead. Rising commercial rents, stiff competition from online platforms, and pressure to support artists have weighed heavily on the art market during recent years.
A fascinating exhibition at the Tate Modern in London reflected on the history of art and electronics before the advent of the internet. Electric Dreams not only showcases multimedia works by more than 70 artists both well-known and obscure but also gives occasion to reflect on the relationship between art and science, creativity and computing.
At age 98, painter Lois Dodd celebrates her first major European retrospective at The Hague in the Netherlands. Open now through April 2026, Lois Dodd: Framing the Ephemeral reveals how this quintessentially American painter manages to imbue the quiet corners of everyday life with a sense of permanence, not unlike Vermeer.
It seems curious that artists’ books are often regarded as a separate species in the art world, considered merely illustrated texts. When in reality, they can be so much more.
After seven years of construction, the Studio Museum in Harlem reopened last month in a seven-story neo-Brutalist building designed by Adjaye Associates. The $160 million structure is reminiscent of the Breuer Building further downtown with its precast concrete façade and severe aesthetic.
